Portals (2024) develops a series of sculptural thresholds that move between digital and material states. Using the surface data of LiDAR scans and 3D models, the works translate landscape into form, where geological structures are reconstituted as openings and apertures. Cast in jesmonite and coal dust, each piece suggests the entry points of mines and caves, positioning the ground as something to be penetrated and navigated. These forms operate as sites of transition, where extraction, data, and myth intersect, and where the boundary between physical landscape and imagined underworld begins to dissolve.

Photography: Jules Lister